Monthly Archives: December 2008
Social Animal’s 2008 holiday card depicts a lad opening his Christmas present, which happens to be a BB gun. I don’t think that the card is very controversial but if someone were to interpret it as fostering the moral corruption of children, we’d be playing out a story as old as holiday cards themselves…
The first commercial Christmas card was designed and printed in London in 1843, at the suggestion of British businessman, Sir Henry Cole and featured an illustration of John Callcott Horsley (1817-1903), a well known British painter and member of the Royal Academy. At that time Henry Cole had to send hundreds of Christmas messages, which he thought would take a lot of time and then came up with the idea of Christmas cards. He commissioned the card because pressure of business had prevented him from writing to all his friends at Christmas, as was his usual custom.
- In the centre, the card depicted three generations of a family in a party, raising a toast to the recipient of the card .
- to one side the hungry receiving food;
- to the other side the poor being clothed.
The card drew criticism because showing a child enjoying a sip of wine was considered “fostering the moral corruption of children.” But with most people the idea was a great success and the Christmas card quickly became very popular.
A digital zoetrope? As a new media nod to media that once was new, this image links to a Flash version, by Magnetic North’s creative director Brendan Dawes, of the original Edward Muybridge Zoetrope. A single image strip gradually moves across the stage in relation to your mouse. The more you move your mouse right, the faster the strip goes until eventually you see a moving image. For the Flash heads, this uses duplicate movie clip to create an infinite strip. Flash head or not, Bren has created a timely work worth considering.
And as Paul Harvey would say if he knew my password, here’s the rest of the story: “In 1872, former Governor of California Leland Stanford, a businessman and race-horse owner, had taken a position on a popularly-debated question of the day: whether all four of a horse’s hooves left the ground at the same time during a gallop. Stanford sided with this assertion, called “unsupported transit”, and took it upon himself to prove it scientifically. (Though legend also includes a wager of up to $25,000, there is no evidence of this.) Stanford sought out Muybridge and hired him to settle the question.
To prove Stanford’s claim, Muybridge developed a scheme for instantaneous motion picture capture. Muybridge’s technology involved chemical formulas for photographic processing and an electrical trigger created by the chief engineer for the Southern Pacific Railroad, John D. Isaacs.
At the Chicago 1893 World’s Columbian Exposition, Muybridge gave a series of lectures on the Science of Animal Locomotion in the Zoopraxographical Hall, built specially for that purpose in the “Midway Plaisance” arm of the exposition. He used his zoopraxiscope to show his moving pictures to a paying public making the Hall the very first commercial movie theater.”
Since Muybridge’s time, for a hundred years media was a one-way communication, an often delightful monologue. Now it’s a dialogue, portable and interactive. A processing sketch, an iPhone app. You may not even tend to call it cinema — but in a way it is. Just as you may not have tended to call Muybridge’s work photography — even though he himself did — but in a way cinema is photography, too. Photography with the speed and vitality of horse racing. Like Bren’s work which is programming with horse racing’s vitality and which acknowledges his foundation on the shoulders of new media giants from previous generations. As to whether all four of a horse’s hooves leave the ground at the same time during a gallop, see for yourself…
I’ve been told by a friend who is a biblical scholar that this star formation, which was so remarkable that I was compelled to photograph it during my visit to Jerusalem, hasn’t been in this configuration for 2000 years.
Oops. While I was in Rome, SA delivered a quick commercial to our client with an apostrophe missing in the subtitle of the word “Let’s”. By the time the spelling mistake was discovered, the spot had a quarter of a million views on YouTube and it therefore wouldn’t be practical to remove it. So far nobody has mentioned the omission. Except me, here. Shhhh.
Then, I caught this Library Newsletter that had also made an apostrophe error, apparently adding the apostophe that we’d mistakenly omitted to to a place where it doesn’t belong in “ricochets”.
Lets Let’s all be more careful about apostrophe’s apostrophes.
I’m excited to be collaborating with Norwegian animator Tom Idland. It is a pleasure to be adding new media characters to the Old Hollywood themed party in the Macy Gray 360 degree interactive video. All along, I’ve wanted to feature the widest variety of party guests that themselves represent various eras in traditional media and new media and for me the guest list has always included a pixelated character. Now Lucy (see below) will be gracing our dance floor, bringing that vision to fruition, or at least virtually so. Multifaceted Lucy is fun to work with. As Tom says, “So few ‘details’ but still so alive!” Velkommen.
Rome is simply marvelous. A kind of jungle – humid and beautiful, loud at times, peaceful at others. It’s a place where you can hide behind the foliage.